A Septuagenarian Artist’s Childhood, in 55 Watercolors
March 6, 2014
Poster artist and children’s book author/illustrator James McMullan has created dozens of well-known Lincoln Center posters and editorial illustrations and has finally taken on a project for himself. In a post for the Atlantic, Steven Heller reports that McMullan’s first illustrated memoir will be published— Leaving China: An Artists Paints His World War II Childhood (Algonquin Young Readers) chronicles McMullan’s peripatetic existence before and after escaping with his mother from Japanese-occupied Cheefoo, China.
To 3D Print Coney Island
February 27, 2014
Fred Kahl, a creative director and designer at New York media firm Funny Garbage is recreating a 100-year-old amusement park with very new technology. Steven Heller looks at the MakerBot 3D experience in a post for the Atlantic.
The Artistic History of American Anti-Asian Racism
February 20, 2014
Steven Heller covers a new book Yellow Peril! An Archive of Anti-Asian Fears edited by John Kuo Wei Tchen and Dylan Yeats (Verso) that traces the source of the stereotypical, harmful image of “the Orient”.
Using Graphic Design to Visualize the Aftermath of Genocide and War
January 30, 2014
Steven Heller looks at The Refugee Project, an example of how graphic designers increasingly are turning their attention to framing data that stimulates action. While data visualization will not end the refugee problem, the designers at Brooklyn-based graphics firm Hyperakt and designer and technologist Ekene Ijeoma think they can make some difference by developing a tool that decision-makers can use to advocate for humanitarian relief.
Retro, Cool, Loud, and In-Your-Face: The Aesthetic of Punk
January 23, 2014
Steven Heller looks at how a lifelong punk, Andrew Krivine, a commercial banker and punk-stuff collector since 1977 turned his personal collection of flyers and zines into museum fodder for a new exhibit Pretty Vacant: The Graphic Language of Punk in a post for the Atlantic.
Designing Pixels You Can Touch
January 16, 2014
Michelle Hamer’s work may look like overblown photography, but her creations are the result of painstaking needlepoint that comment on an information-saturated society.In a post for the Atlantic, Steven Heller comments on the Australian artists work.
January 13, 2014
In a post for Eye Magazine, Steven Heller reports on a Paris retrospective of Philippe Apeloig’s cerebral, conceptual design and typography, a triumph that exceeds high expectations.
The Future of Publishing
January 11, 2014
Digital media technology is evolving at a startling rate and is changing the way we receive and read books, magazines and newspapers. But has the publishing landscape changed forever? Is Digital the future or is there still hope for the printed page? Moderated by Steven Heller and featuring contributions from Scott Dadich (Creative Director, Wired Magazine & Executive Director, Digital Magazine Development, Condé Nast), Hugh Linehan (online editor of The Irish Times) and Adrian Shaughnessy (Publisher, Unit Editions).
Marian Bantjes, the Michelangelo of Custom Decorative Lettering
January 9, 2014
In a post for The AtlanticMarian Bantjes shares the inspirations behind her simple but mind-numbingly intricate work, collected in her latest monograph (the second in four years),Marian Bantjes: Pretty Pictures.
In Search of the Ideal Male made in Hollywood
January 6, 2014
After the great success of Wichita’s CHICK FLICKS, Clara and Julia Kuperberg now take a look at how Hollywood has fashioned the images of men through the decades and why and how significant type change occurred. Critic Molly Haskell, Maria Janis Cooper — the daughter of Gary Cooper — Steven Heller and David Dopkin comment on a rich selection of clips pertinent to the subject In Search of the Ideal Male made in Hollywood
When Captain America Wears a Turban, What Does He Fight For?
January 2, 2014
In an interview for the Atlantic, Steven Heller talks to Vishavjit Singh, the first Sikh Captain America. An editorial cartoonist by trade, a few months ago he suited up as a real-life turbaned and bearded version of Jack Kirby’s strongman and strode through New York City, to promote his Sikh Comics while fighting religious and ethnic stereotypes.
January 1, 2014
Steven Heller and Radislav Sutnar discuss aspects of the life and work of 20th century designer Ladislav Sutnar, featuring objects from the collection of Smithsonian’s Cooper-Hewitt National Design Museum.